Dirk Stewen
droplets
Exhibition duration: 8 January – March 27, 2009
Installation view, c/o – Atle Gerhardsen, 2009
Installation view, c/o – Atle Gerhardsen, 2009
Installation view, c/o – Atle Gerhardsen, 2009
Untitled, Hamburg, 2008
Watercolour and ink on paper
sheet 38,1 x 28 cm / frame: 47,5 x 37,5 cm
La conversation, Hamburg, 2008
Watercolour on paper
sheet 38,2 x 28 cm / frame: 47,5 x 37,5 cm
Untitled, Amsterdam, 2008
Watercolour and ink on paper
sheet 37,8 x 27,9 cm / frame: 47,5 x 37,5 cm
Still Life, Hamburg, 2008
Watercolour on paper
sheet 38 x 28 cm / frame: 47,5 x 37,5 cm
Untitled, Amsterdam, 2008
Watercolour and ink on paper
sheet 37,9 x 27,9 cm / frame: 47,5 x 37,5 cm
Autoportrait, Hamburg, 2008
Watercolour on paper
sheet 37,5 x 27,5 cm / frame: 47,5 x 37,5 cm
Untitled, Hamburg, 2008
Watercolour and ink on paper
sheet 37,9 x 27,7 cm / frame: 47,5 x 37,5 cm
Danseuse assise sur une table, Hamburg, 2008
Watercolour on paper
sheet 38 x 28 cm / frame: 47,5 x 37,5 cm
Danseuse assise dans un fauteuil, Hamburg, 2008
Watercolour on paper
sheet 38,3 x 28,1 cm / frame: 47,5 x 37,5 cm
Untitled, Hamburg, 2008
Watercolour and ink on paper
sheet 37,9 x 28 cm / frame: 47,5 x 37,5 cm
La conversation, Hamburg, 2008
Watercolour on paper
sheet 38,1 x 28 cm / frame: 47,5 x 37,5 cm
Untitled, Hamburg, 2008
Watercolour and ink on paper
sheet 37,8 x 27,8 cm / frame: 47,5 x 37,5 cm
The Fifer Boy, Hamburg, 2008
Watercolour on paper
sheet 35,5 x 26,7 cm / frame: 45 x 36 cm
Untitled, Hamburg, 2008
Watercolour and ink on paper
sheet 37,7 x 27,8 cm / frame: 47,5 x 37,5 cm
Untitled, Hamburg, 2008
Watercolour and ink on paper
sheet 37,8 x 28 cm / frame: 47,5 x 37,5 cm
Selbstbildnis, Hamburg, 2008
Watercolour on paper
sheet 36,9 x 27 cm / frame: 47,5 x 37,5 cm
Opening reception: 8 January 2009, 7–9 pm
Exhibition duration: 8 January – February 13, 2009
We are very proud to announce Dirk Stewen's second solo exhibition at
c/o – Atle Gerhardsen.
Dirk Stewen will start the year 2009 at c/o – Atle Gerhardsen with new
works on paper. The show is titled 'droplets', comprising about thirty watercolours,
some of which include installation components.
Working with watercolour on paper from the post-war era – the artist
uses paper containing potato starch, which has a slightly ligneous texture
– is a pivotal development in Stewen's work. The paper is mostly taken
from old art lovers´ collection archives: the colourful reproductions
of old masterpieces have been removed from the single sheets, often leaving
behind a line of glue, usually including the title, and at times even a short
interpretation of the absent image. Stewen fills the vacant spaces with partly
figurative, partly abstract compositions.
The figurative works are inhabited by a panopticum of bulky characters, equipped
with old-fashioned accessories such a stovepipe hats or riding boots. Most
often they cannot be identified in terms of gender; at times they are seem
melancholy, ominous, or even slightly languid. The light pastel tones of the
watercolours stand in stark opposition to the corpulence of the represented
forms.
In the abstract works, Dirk Stewen is interested in the balance of simple
geometric forms, which he arranges by size, colour and shape in different
ways on the antique paper. There are compilations of colourful circles or
cones, which seem to be connected by the sheer force of gravity. Some revoke
their perfect basic shape, and bleed into the other elements, merging either
with the other circles, or with the remnants of the glue on the paper. Some
keep up the appearance of a three-dimensional form on a plane; others blend
in with the plane and counter this illusion.
The artist sometimes compared working on his watercolours with photography:
he mixes colour and water, converting the thought or desired form onto paper
in a short amount of time. Similarly, in a photographic exposure, the decisive
moment passes by in one fell swoop. Afterwards, the result could still be
modified, but only through careful movement of the paper, such as in the developing
bath, or by meticulous reworking of the surface still wet with traces of colour
or ink, perhaps akin to retouching a photograph.
With 'droplets' Stewen probes the relational equilibrium within the presented
group of work, both within each single work, and in the combination of this
show, expanding the presentation with elements taken from other realms of
his work. Black-inked wooden squares or small ladders sometimes complement
the watercolours, which are framed either alone, or in pairs. In this, the
artist sees a kind of necessary interpunction, or an aid, allowing the works
to permeate into the space.
Dirk Stewen was born in Dortmund in 1972, and now lives and works in Hamburg.
Parallel to his exhibition with c/o – Atle Gerhardsen, the artist has
another solo exhibition with Tanya Bonakdar in New York: 'Dirk Stewen: Paper
Eye Collection', Tanya Bonakdar Gallery, New York, opening: 15 January, 2009.
In May 2009, his works will be on display in the Galleri MGM in Oslo, and
from
19 September 2009, in the Overbeck Gesellschaft in Lübeck.
For further information or visuals please contact Maike Fries, c/o –
Atle Gerhardsen: Tel.: +49-30-69 51 83 41, Fax: +49-30-69 51 83 42, E-mail:
office@atlegerhardsen.com or visit our website at http://www.atlegerhardsen.com.
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